The House of Bernarda Alba is a play by Spanish playwright Federico Garcia Lorca that was completed in 1936 and premiered in March 1945 in Buenos Aires, Argentina. Innovative, intelligent and creative theater. Copyright © 1999 - 2020 GradeSaver LLC. The entire play is set in Bernarda's house, where she lives with her five daughters, her maid La Poncia, and several other servants. A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. Jo Clifford is the author of over 70 works in every dramatic medium. A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. Worried about her daughters, Bernarda laments her lack of diligence and La Poncia cruelly insinuates that there is wickedness under her roof. The House of Bernarda Alba premiered at the National Theatre, London, in March 2005.
CELESTINA has been a pivotal work of European culture since 1499, when it was first performed, and the character of the ever-resourceful procuress Celestina has inspired artists from Goya to Picasso. ", “Michael John LaChiusa has finally composed the impeccable tuner that cognoscenti have been awaiting with waning patience. As Bernarda celebrates the vicious murder of a wicked woman, Adela protests it futilely, since this could well be her. They complain about how Bernarda tyrannically demands the house be kept too clean even though she should pay more attention to her unwed daughters. When Bernarda's husband dies, she locks all the doors and windows.
“There is something beautiful about being able to say that the story we told paid homage to a group of people who, in their time and place, would not have been given a voice to speak,” Reber said. Her mother, a financial guru, has her doubts. Comments for this article have closed. Turned off by the gossip, Bernarda ends the visit and the mourners leave. They discuss whether Pepe el Romano, a local young man whom they expect to propose to Bernarda's eldest daughter Angustias because of the girl's inheritance, was at the church. There is much talk that sets up how Angustias hopes to entice a proposal from Pepe through her money, and how all of the girls are interested in men but how Bernarda prohibits any expression of those interests.
HERNANI, Victor Hugo's third play, written when he was 28, was not so much a piece of theater as a bombshell dropped directly into the laps of les classiques, the conservative defenders of French drama and its perfect garden of rules, regulations, and Aristotelian commandments of How Things Must Always and Forever Be. Copyright 2019 Village Playhouse or Wauwatosa, Inc d/b/a Village Playhouse. . BERNARDA ALBA is fascinating, riveting, vibrant, and exciting. Repression, sexual tension, gender roles, social class, gossip, death, and religion are prominent themes throughout Lorca’s play. Katherine Reber ’21, who plays Bernarda, recognized the significance of this opportunity. Amelia, another daughter, and Martirio, gossip further about how late Pepe stays at night, after Angustias has gone to bed. The women leave at Bernarda's behest, except La Poncia and Adela, who have an intense argument over the latter's affair with Pepe. Her work has been translated into many languages and has been performed all over the world. Additionally, the entire production takes place in the same house; there were frequent moments of silence with no actors present onstage. When he is released for a day as an experiment he proves the omens only too right, and, as a result, is incarcerated once more. Also for the stage, Jo has adapted FAUST PARTS 1 & 2 and ANNA KARENINA, GREAT EXPECTATIONS, LA VIE DE BOHEME and WUTHERING HEIGHTS and has translated SCHISM IN ENGLAND, LIFE IS A DREAM, CELESTINA, THE HOUSE OF BERNARDA ALBA, and BINTOU. A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. A funny, zany, and strangely touching tale of two performers in a carnival sideshow who plot to assassinate a rural sheriff and then kill themselves. The House of Bernarda Alba ( 1991) The House of Bernarda Alba. A masterpiece by one of the greatest writers of the Spanish Golden Age. The play stunned the audience with its startling portrayal of the oppression of women. All of the women are onstage with a visitor, Prudencia, who is sad over having had to banish her daughter for wickedness. The women are merciless in their argument, even when La Poncia shares that her sons see Pepe there until far later than Angustias is awake. Director: Erico Ortiz. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. They hear a stallion banging against its door out in the yard.
Jo Clifford (formerly known as John Clifford) is an award-winning playwright, translator, poet, and performer, who has also worked as a journalist and academic. Lights/Sound: Casey Paszkiewicz This play, along with Blood Wedding and Yerma, form a trilogy expressing what Lorca saw as the tragic life of Spanish women. Notoriety was a key part of its success. The House of Bernarda Alba It starts at the state level (WACTFest) in February of odd numbered years, then on to the Regional Festival in April and the National Festival in June. Use the HTML below. Deviation was considered heretical; innovation unnecessary, and to some minds, criminal. The Question and Answer section for The House of Bernarda Alba is a great PONCIA - 50's, Bernarda's Servant Karema and Ahmed Yacoub work long hours in their liquor store while their teenage daughter, Irene, relentlessly pursues a career as a pop star. Jo's adaptation of Charles Dickens's GREAT EXPECTATIONS has toured the UK. “We are paying homage to those who have lived or are living in a world in which they are not allowed to be fully human.” Bernarda runs an extremely strict household, forcing her daughters to remain in the home at all times and avoid interactions with men. Nearly every production sparked some level of controversy due to the script’s conflicting themes of hypocrisy and religious faith, rebellion and tradition, its brothel setting, graphic domestic violence, “gutter poetry” reminiscent of Wedekind, and an unprecedented erotic scene of lesbian seduction. Using all her wiles and with the help of two greedy servants she goes about weaving her spells … with tragic results.
However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Director Thomas Aulino, a visiting assistant professor of drama, emphasized key elements of the plot that further exemplify the suffering the play conveys.
Federico García Lorca, translated by Jo Clifford, Sholem Asch, translated by Richard Nelson with Robert Marx, Pedro Calderón de la Barca, translated by Jo Clifford, Lope de Vega, translated by Laurence Boswell, Fernando de Rojas, translated by Jo Clifford. BERNARDA ALBA tells the tales of a powerful matriarch, who imposes a strict rule on her household following her second husband's funeral: 'Not a breath of outside air is going to enter this house. Sibling rivalry consumes the five daughters as they struggle with feelings of despair and doom, ultimately leading to the play’s tragic conclusion. Written in 1936 by Federico García Lorca, a prominent Spanish poet and playwright, the play centers around the struggles of a mother, Bernarda Alba, and her five daughters living in southern Spain. Bernarda has five daughters, aged 20 to 39, whom she has controlled inexorably and prohibited from any form of romantic relationship. When NYU students Ibrahim and Paloma study an ancient Muslim treatise on the art and practice of love, they debate the complexities of romantic relationships while falling into one. Adela: Bividiana Murguia However, the eldest... View production, box office, & company info. "“It's even possible that, just as it's now difficult to watch George Bernard Shaw's PYGMALION without hearing the songs that Alan Jay Lerner and Frederick Loewe wrote for MY FAIR LADY, Michael John LaChiusa's BERNARDA ALBA will become more popular in this country than Lorca's grim, impassioned play. Stage Manager: Jennifer Conway Amelia: Miriam Kopek
ANGUSTIAS - 39- years-old With Lee Grant, Eileen Heckart, Nancy Marchand, Cathleen Nesbitt. MAGDALENA - 35-years-old Looking for something to watch? A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. Lorca clearly intended to demonstrate the misogyny in the world around him. Lorca's extraordinarily powerful drama, the last he wrote before his assassination, explores the darkness at the heart of repression. This pre-Holocaust drama is today circumscribed by a very different post-Holocaust world, but THE GOD OF VENGEANCE remains one of the great urban dramas of the Yiddish Theatre repertoire. Add the first question. She tells her grown-up daughters to sew and be silent. The play’s primary male character, Pepe el Romano, who is adored by three of the daughters, does not make an appearance on stage. Adela triumphantly announces she will be Pepe's no matter what shame it brings, and Bernarda runs offstage with a shotgun to shoot Pepe. Daughter plays a cello and has a personality disorder. Adela meanwhile runs outside and plays with the chickens, which the other girls find strange. The House of Bernarda Alba is a reflection of Lorca's intense theatrical sense, meaning that the play's focus is less its simple plot and more the atmosphere created around it. Adela, the youngest daughter, shows right away that she is a free spirit and will not be easily dampened by Bernarda's repression. He was executed by Nationalist forces during the Spanish Civil War. The funeral bells announce the end of the ceremony, and 200 women enter the house along with Bernarda and the daughters. BBC correspondent David Mazower (Sholem Asch’s great-grandson) described THE GOD OF VENGEANCE as “admired, translated, parodied, panned, banned, prosecuted, withdrawn, forgotten, revived, celebrated.” An international sensation after its 1907 world premiere in Berlin at Max Reinhard’s Deutsches Theater, Asch’s play quickly became the first Yiddish drama performed in translation across Europe and America. “There are eight years of mourning ahead of us. .. this 90-minute, intermissionless compression of the hothouse play is absolutely stunning in every possible category.”, Bernarda's Daughters: How does Lorca use the house to convey his ideas? Angustias: Donna McMaster An exclusively female cast was tasked with tackling these alarming illustrations of 20th-century Spanish society. She lives in Edinburgh and is a former Professor of Theatre at Queen Margaret University. Her plays include THE TREE OF KNOWLEDGE; SEX, CHIPS AND THE HOLY GHOST; EVERYONE; AN APPLE A DAY; LOSING VENICE; PLAYING WITH FIRE; INES DE CASTRO; LIGHT IN THE VILLAGE; TCHAIKOVSKY & THE QUEEN OF SPADES; and CHARLES DICKENS: THE HAUNTED MAN.
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